Five years ago, a prominent letter rippled through the theater community, sparked by outrage at the murder of George Floyd.
In every setting, Chad Taylor’s propulsive grooves, deft decorations, and knack for shoring up a piece’s underlying forms enrich the music.
Performances by soloist Pablo Sainz-Villegas were the highlight of Muti’s two-week autumn residency, now customary for the CSO’s music director emeritus.
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