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Texas guitar god Stevie Ray Vaughan generally stuck to tried-and-true blues forms and feels, and benefited from one of the baddest rhythm sections in blues history, also known as Double Trouble.
As the track picks up intensity via Vaughan's raucous chordal solo, Chris Layton's drum fills, and the addition of the #9 to the Eb7 chord by both Vaughan and keyboardist Reese Wynans, Shannon holds ...
The thought of Stevie Wonder and Stevie Ray Vaughan collaborating is a dream, overflowing with musical possibilities. But despite seeming too good to be true, it did actually happen – for just ...